A FOME BRUTA
CORE: Textures 'n' Sound as a Kinesthetic learning, or tactile learning which allows me to trigger a relational aesthetics and SYNESTESIC experience towards chance and change.
Synaestesia means the production of a sense impression relating to one sense or part of the body by stimulation of another sense or part of the body. PERCEPTION 'N' ERROR BLINDNESS.
WHY?
Magnetic intersections with others thru a brief unit of time suggests:- My attachment to the material world is so big that I can not let go and so I resist to change and chance, because of the fear that it is not real. That fear makes the consciousness clash and crystallize a kind of error blindness.
So what to do? GET OUT OF THE SELF. BUT WHAT STORY DO YOU BRING BACK? Not truths about reality but an alternative frame, as a fractal of a know how to do your best, a dare how to, and to be in silence - skill, courage 'n' love.
No matter how small a fractal is, it contains the whole picture that resonates the core of Humanity.
GOD DEPENDS ON HUMANS HUMANITY.
Another RADIO-TRANSMISSION TO THE NERVE SYSTEM
BY BRUTA
Another RADIO-TRANSMISSION TO THE NERVE SYSTEM
BY BRUTA
27 FEVEREIRO 2017
AS FLORES DÃO-SE AOS PORCOS
Projecto a FOME BRUTA
by BRUTA
Field Recordings com a suma autorização da maestra Conceição,
uma das ultimas agricultoras das terras de Tibães, Mercado Municipal Braga
Comer comer com maestro Luis Carneiro
Braga, Agosto 2016
Edit 26 Fevereiro 2017
E
QUEM TEM SARDINHA NÃO TEM CARAPAU!
Mercado do Bolhão, Porto, Agosto 2016
KABALISTIC SYNTH Nº 2




I just paint stones
KABALISTIC SYNTH Nº 2
Finished on the 17+11+2016=8+2+9=19=20=2
Colors 2: Water Print based Black and Natural Brown Dye from Kambucha Scooby drying
Fabric Hand Print on Recycle Prison Bed Sheet
120 cm x 90 cm
Sequence of mutations of the stone paintings:
nº 4 > nº 7> nº 6 > nº 2




KABALISTIC SYNTH Nº 2
Finished on the 17+11+2016=8+2+9=19=20=2
Colors 2: Water Print based Black and Natural Brown Dye from Kambucha Scooby drying
Fabric Hand Print on Recycle Prison Bed Sheet
120 cm x 90 cm
Sequence of mutations of the stone paintings:
nº 4 > nº 7> nº 6 > nº 2




ATOMICAGE
PRELUDIUM QOPH 19
THE ENTROPIC ORDO AB CAOS
Prologue for Atomicage Story, etc.
An unnecessary research about Entropy thru Textures, Borders and Principia Discordia
Field Recordings of São Pedro de
Muel Habitats and Mic Spams / REC.: AGST. 2016 plus JAN 2017 / Between zones Barcelona and S.Pedro de Muel, Portugal
PLUS:
Poem inspired by Catalan Poet Joan Brossa: Damunt la terra, / Menjar d'amor / La neta duresa / D'unir i destruir BCN OCT 2012
Short vocalog poem, the nexus in Portuguese between the words love and death: AMAR-TE / A MORTE AGST S. P. de Muel 2014 A mulher Escarlate e a Boca do Inferno
Excerpt of Alain Resnais & Chris Marker - Les Statues Meurent Aussi (Statues Also Die) - 1953 BCN OCT 2012
Cyber Text Kelly Dobson OMO NOV 2016
MIC SPAM JAN17
Photo: Texture of the bark of a typical São Pedro de Muel Maritime Pine Tree, called the Snake-like Pine Tree, an 100 year old Pinus Pinaster or the Sacrificed One.
http://services.cm-mgrande.pt/agendas/GuiaNaturezaSPedro.pdf
Edit on the 04JAN17
681#15#Radio Transmission finished on the 14JAN17
THE ENTROPIC ORDO AB CAOS
Prologue for Atomicage Story, etc.
An unnecessary research about Entropy thru Textures, Borders and Principia Discordia
Field Recordings of São Pedro de
Muel Habitats and Mic Spams / REC.: AGST. 2016 plus JAN 2017 / Between zones Barcelona and S.Pedro de Muel, Portugal
PLUS:
Poem inspired by Catalan Poet Joan Brossa: Damunt la terra, / Menjar d'amor / La neta duresa / D'unir i destruir BCN OCT 2012
Short vocalog poem, the nexus in Portuguese between the words love and death: AMAR-TE / A MORTE AGST S. P. de Muel 2014 A mulher Escarlate e a Boca do Inferno
Excerpt of Alain Resnais & Chris Marker - Les Statues Meurent Aussi (Statues Also Die) - 1953 BCN OCT 2012
Cyber Text Kelly Dobson OMO NOV 2016
MIC SPAM JAN17
Photo: Texture of the bark of a typical São Pedro de Muel Maritime Pine Tree, called the Snake-like Pine Tree, an 100 year old Pinus Pinaster or the Sacrificed One.
http://services.cm-mgrande.pt/agendas/GuiaNaturezaSPedro.pdf
Edit on the 04JAN17
681#15#Radio Transmission finished on the 14JAN17
EROSION WITH TRANSITORIUM TYRANNY
Field Recordings of The Rocky Cliffs Beach of Sao Pedro de Muel. AGST. 2016
EDIT 25 nov 2016 rip pAULINE oLIVEROS (26NOV)
EROSION WITH TRANSITORIUM TYRANNY
another unnecessary research...Notes: NOT ONLY BUT ALSO:
I harvest field recordings of habitats and TEXTURES to talk about CYBERNETIC BORDERS 'n' MIGRATION thru living systems, with the aim of PER CAPERE TIO humanism in non-human systems and non-humanism in human systems. WHY? Because LIFE CREATES CONDITIONS CONDUCIVE TO LIVE, having pleasure in the process and embracing it's needs, and non of this is mutualistic exclusive. And Human created systems not yet fully embrace or mimic this non-human know-how-to-do. AND MIGRATION AND BORDERS ARE ONE OF THOSE LIVING SYSTEMS.
Borders and Dialogue between the forest, the cru wind,,. rocks and the river that embraces the salty waters of the Atlantic Ocean. The Ocean's centrifugal power! Journey called by us - inhabitants "a Volta dos Sete" or " the Round of Seven" - 7 km in between zones.
photo: one of my backyard rock caves where I record
A MATA
Field Recordings of The Mata de Sao Pedro de Muel.
Borders and Dialogue between the forest, the cru wind, birds and bugs, rocks and the river that embraces the salty waters of the Atlantic Ocean. Journey called by us - inhabitants "a Volta dos Sete" or " the Round of Seven" - 7 km in between zones. AGST 2016 edit 20 NOV 2016
49 KO
Field Recordings, São Pedro de Muel Ecosystems, AGST 2016
TEXTURES: Stretched ocean and wind samples.
O QUINTAL DE NEPTUNO
Field Recordings, Barcelona 2015
Story about the Sea by Sophia de Mello Breyner Andresen
VIVID AETHER ASTRO FOCUS
Field Recordings : conversation between a bee, rocks the sea and the cru wind always wiping my recordings São Pedro de Muel, 2016
Bee throat singing practice on the backyard of my sea rock garden,
Photo: NA Boca do Inferno 2016
DISTOPIA
Field Recordings
São Pedro de Muel, 2016
NIHILNE IN MENTE
Field Recordings
São Pedro de Muel, 2016
RADIUM BURST I
Radium Burst Poem I
Quantum pain
Domineering my senses
Mechanically
Particles multitasking
Chemical reaction
At the molecular level
On my cellules
Written while reading Picaria's I/II W.War Poems: I am a Beautiful Monster, Winter 2015
ZIZEK´s LACANIAN LOVE SONG and MISOGINIA MATA XUXU
THE ZIZEK´s LACANIAN LOVE SONG and MISOGINIA MATA XUXU
Memo of the field recordings and thoughts:
The book about the Metaphysics of sexual love from Schopenhauer...man of it's time...animal, it was absurdly the least metaphysical
book I ever read...And do I love his xamanic writing but Ò!!!! dear animal being, and even so, he remind me about the
metaphysics of mammals being beings and the breast-complex. But my fuck Freud complex
led me to Slavoj Žižek and Lacan's Aphorisms about Love and ó!
Conclusion: EQUATION. SHE+(S)HE+IT= SHIT! ...best focus on the It, and burst it like nitrogen, as animals being
earthlings walking towards death and becoming
shit as pure compost in the end. This romantic thought led me to not forget the mathematical poem of Frederic Rzewski -
Les Moutons de Panurge, from: Coming Together (1973) with says:
(...)" 5. as lovers will contrast their emotions in times of crisis, so am i dealing with my environment. 6. in the indifferent
brutality, incessant noise, the experimental chemistry of food, the ravings of lost hysterical men and women I can act (...)":
Nowadays's I'm thinking a lot about the ravings of Misogyny. Powerfully triggered by a discussion of a gang of young girls
that were talking about how they fought flesh to flesh and vividly that day with another young gang of girls. Conversation
which I had the privilege to record and edit it. Misogyny can be manifest in so many ways...patriarchal power-so known-still there---
but, hmmm but... what I am most concerned and still lost about it, is why us women,
even sometimes us called feminist women and men..
hate..
still other women.
Lacan's Aphorisms on Love
WHAT IS LOVE?
MISOGINIA MATA XUXU
Field Recordings Barcelona 2016
VIVID AETHER MISERIA: AI AMOR
Field recordings Portugal, Agst 2016
Peripeteia- finis historiae- sub-specie aeternitatis...
The Zaratrustian Peripeteia exalts the love... out of love for caos...
under the aspect of eternity....Nietzche honoring Spinoza's expression describing what is universally and eternally true, without any reference to or dependence upon the temporal portions of reality. Also called the AEON DRAMA
æon, originally meant "life", "vital force" or "being", "generation" or "a period of time", though it tended to be translated as "age" in the sense of "ages", "forever", "timeless" or "for eternity". Aeon can also refer to the four aeons on the Geologic Time Scale that make up the Earth's history, the Hadean, Archean, Proterozoic, and the current aeon Phanerozoic.
The time span of the Phanerozoic starts with the rapid emergence of a number of animal phyla; the evolution of those phyla into diverse forms; the emergence and development of complex plants; the evolution of fish; the emergence of insects and tetrapods; and the development of modern fauna. Land plant life appeared in the early Phanerozoic eon. During this time span, tectonic forces caused the continents to move and eventually collect into a single landmass known as Pangaea, which then separated into the current continental landmasses. NOW COMMONLY KNOWN HAS GEOPOLITICAL DOMESTIC AEON DRAMA.
AI AMOR: Field Recordings 2016, portugal
pHOTO: hERZOG
ENTROPY AND THE STONES 64 I CHING
Work in progress Entropy and the Stones,
a mutation story in honor of the
I Ching,
16x Diamont
Puzzle and the
Cross Stich X
And Death
54 CARDS ON/ 10 CARDS NO, not yet
I CHING CARD ILUSTRATIONS in CHINESE/PORTUGUESE



THE TAO TAO OF THE BLUE BACTERIA
Preliminarium:
THE HOUSE OF FERMENTATION 'N' THE BACTERIA FABRIC
All forms of energy are running foreword towards death, destined to spread-out. To move from order to disorder. From matter to digestion, from decomposition towards new combinations of matter. GOD IS EDIBLE
So SUBSTANCE 'N ABSENCE are constructions of reality that are made by limited senses.
The SENSE journey happens in between footprints of PERCEPTION = PER CAPERE TIO, meaning THE INTENSITY IN CAPTURING ACTION AND AFFECTION.
If earthlings 'n' us as human beings are shaped by things that we don't see [ERROR BLINDNESS]. How can we learn from organisms and living systems to understand that invisible force called ENTROPY?
SO:
HOW DOES LIFE MAKE THINGS?
HOW DOES LIFE MAKE THINGS DISAPPEAR IN THE SYSTEM?
HOW DOES LIFE MAKE THINGS?
HOW DOES LIFE MAKE THINGS DISAPPEAR IN THE SYSTEM?
The HOUSE OF FERMENTATION STUDY started in Spring 2015,
focus on:
EQUATION thru LOOPS OF TIME
[TEA+SUGAR+KAMBUCHA+FERMENTATION] =SCOBY Fungus
[SCOBY+GROW+DRY]= CELLULOSIS /PAPER Skin
focus on:
EQUATION thru LOOPS OF TIME
[TEA+SUGAR+KAMBUCHA+FERMENTATION] =SCOBY Fungus
[SCOBY+GROW+DRY]= CELLULOSIS /PAPER Skin
TO NOT TO FORGET HOW LIFE CREATES CONDITIONS CONDUCIVE TO LIVE, contracting this flow of Entropy, having pleasure in the process, CYBERNETICALLY 'n' SYMBIOTICALLY and embracing it's needs -BIOMIMESIS.
Photos: FRESH 'n' DRY Blue Scoby-Kambucha Future Fiber
Since last year I am developing my own biodegradable fabric from the fermentation of black Tea, named Kambucha-
the elixir of immortality -in the Chinese Culture.
The fermentation process develops a fungus called a scoby that when dried it looks like a vegetable skin.
This time I am using a natural blue dye sustainable for vegans to produce blue scobies.
Here is an example: FRESH SCOBY/DRIED
THE KABALISTIC SYNTH Nº4
Paintings in progress
The Kabalistic Synth nº4
Finished on the 16/06/2016 =7+6+9=22=2+2=4
Automatic hand painting/ handprint with water-based acrylic for textil, blue, black and white, and ironing origami fixing.
Even with a brush I can only draw stones, I guess I am living in a kind of Stone Age.





















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